A Masked Ball ★★★½

By on April 16, 2013

Opera Australia's A Masked Ball

Diego Torre and Jose Carbo In Opera Australia’s A Masked Ball. Image: Lisa Tomasetti Supply: Sunday Herald Solar

WITH a brilliant opening-night time setting, we settle into the main of Opera Australia’s autumn displays with an interesting opening sequence of pictures superimposed on the body of a unadorned man.

as the Overture continues (in a mode no longer diverse to James Bond), these photography flip to scenes of destruction, violence and rioting. Ultimately, now we have the Orwellian totalitarian atmosphere on which the context of this opera is based totally.

This attention-grabbing however divisive production is the work of a creative director of La Fura dels Baus Alex Ollé.

It has The Strong in fits carrying masks throughout the fashion of water-polo helmets, full with a backdrop of an incredibly effective, however bleak and chilly set.

it may be argued that this extended opera was indubitably one in all Verdi’s perfect. in keeping with fellow composer, Igor Stravinsky, “criticism ceases to make any distinction”.

however, whereas the multi-level set makes for terribly attention-grabbing viewing, the libretto labours over the point and, in a section the place little occurs unless the very finish, one expects a faster percent on this latest manufacturing.

there have been superb performances from the forged, lead by the use of Diego Torre (Gustav III), José Carbaacó (René, Count Ankarstrdöm), Csilla Boross (Amelia) and Lorina Gore (Oscar) with a powerful serving to ensemble cast.

Hanging In what is going to come, Act 1, Scene 2 options the fortune-teller Ulrica Arfvidsson (Mariana Pentcheva) handing over one of the poignant lines of the opera: “Hatred may also be masked via a pleasing face.”

This scene rests on the backdrop full with writings no longer numerous to The Matrix and is a visible and aural feast.

The One oddity on this scene is that whereas protest banners and graffiti are all in English, the opera is sung in Italian. possibly, as one fellow audience member brought up, it’s a illustration of a “pan-European” fact.

José Carbó’s mournful lament about misplaced love and vengeance in Act III used to be specifically gorgeous, whereas some very efficient utilization of CCTV Pictures (which follows) geared up the backdrop for the paranoia that simmers all through the whole manufacturing.

once we Sooner Or Later attain the conclusion – the masked ball – the expectation of visually gorgeous costumes and masks disappointingly did not eventuate.

The Solid is another time applicable up for the climax of the manufacturing, with the conclusion leaving little hope on this specifically Orwellian world.


Opera Australia
State Theatre, Arts Centre Melbourne, except for may just 3
Rating: ???½

INFORMATION Entertainment Movement Footage

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